Gate Theatre, 'The Mariner': Off a Duck's Back

Can Hugo Hamilton's play plunge the depths of the great silence that Irish men brought home from WWI? 

Gate Theatre, Dublin Theatre Festival 

Sept 30-Oct 25

My review of The Mariner by Hugo Hamilton coming up after the jump ...

Brokentalkers, 'Frequency 783': Future Forecasting

Do you like to think about the future? In Brokentalkers' new production, an elderly performer envisions utopia while a younger performer can't help but meditate on his own destruction.  

Project Arts Centre, Dublin Theatre Festival

Oct 2-5

My review of Frequency 783 coming up just as soon as I don't drink wine in case I short-circuit ... 

Pan Pan, 'The Seagull and Other Birds': Avant Garde a Clue

The artist in Chekov's The Seagull desperately searches for new art forms. Pan Pan's strategy for success is a fray of colliding texts. 

Project Arts Centre, Dublin Theatre Festival 

Sept 29-Oct 5

My review of The Seagull and Other Birds coming up just as soon as I buy two bottles of Pinot Grigio in the off licence ...

The Corn Exchange, 'A Girl is a Half-formed Thing': Pieces of a Whole

Eimear McBride's boldly original novel has become a literary phenomenon. How can The Corn Exchange adapt it for the stage?

Samuel Beckett Theatre, Dublin Theatre Festival

Sept 28-Oct 5

My review of A Girl is a Half-formed Thing, adapted from the novel by Eimear McBride, coming up just as soon as I fight for opera tickets and drink schnapps ...

ANU Productions, 'Vardo': Do Not Pass Go, Do Not Collect €200

The concluding chapter of ANU's Monto Cycle brings 100 years of history full circle. Photo: Patrick Redmond.

Oonagh Young Gallery, Dublin Theatre Festival
Sept 25-Oct 12


A few weeks ago I talked to ANU director Louise Lowe about Vardo and the Monto Cycle as a whole. My review coming up just as soon as I count backwards from one hundred ...

Claire & Leah & Dylan, 'B(r)itches': Do Brecht

A satire of the industry and its treatment of women takes the form of improvisational theatre. The problem is that its clearly pre-scripted. 

Project Arts Centre, Dublin Fringe Festival
Sept 17-20


My review of B(r)itches by Clare Galvin, Leah Minto and Dylan Coburn Gray coming up just as soon as I can't play the boat ...

Gentle Giant Theatre, 'Whichever1uFeed': Pal, You're a Lamb

Christ admits his violent fantasies in this biblical retelling. What meaning then is given to his temptations?

The Stables, Dublin Fringe Festival
Sept 15-20

My review of Whichever1uFeed by Ross Gaynor, Neil Watkins and James O'Driscoll coming up after the jump ...

15th Oak, 'Reckoners': Welcome to the Stra

There is something off about The Stra - the fictional town in Ross Dungan's new play. In a town without order, the structure feels forced.

The Lir, Dublin Fringe Festival
Sept 16-20


My review of Reckoners by Ross Dungan coming up just as soon as I'm unaware of the grenade that I've rolled into the centre of the room ...

Druid, 'Bailegangaire': Drawing Wisdom From the Fire

The 1984 premiere of Bailegangaire has been passed on like a folktale by those who saw it. Alongside the new prequel Brigit, will Garry Hynes' revival be as momentous?

Town Hall Theatre, Galway

Sept 14, 17, 19, 20, 21

My review of Bailegangaire by Tom Murphy coming up just as soon as great rumbles start risin' in the barrel of my chest ...

Druid, 'Brigit': What the Oak Meant

30 years ago Tom Murphy conveyed the mythic timelessness of Irish storytelling in Bailegangaire. The new prequel Brigit sees the playwright tracing our traditions back further than before. 

Town Hall Theatre, Galway

Sept 14, 16, 18, 20, 21

My review of Brigit by Tom Murphy coming up just as soon as I hang my cloak on a sunbeam ...