Wednesday, February 5, 2020

Medea review: Serious performances in an adaptation that doesn’t show the same commitment

Euripides's ancient tragedy is seen from a child's perspective, in Kate Mulvany and Anne-Louise Sarks’s version. Photo: Ros Kavanagh 

Tuesday, February 4, 2020

Thursday, January 30, 2020

Sunday, January 26, 2020

Irish Times Theatre Awards nominations: The most bizarre shortlist ever

Epiphany, Brian Watkins's Joyce-inspired play for Druid, is one of the best production nominees not nominated for either best actress, best actor or best director. Photo: Robbie Jack 

Friday, January 24, 2020

Saturday, January 18, 2020

Wednesday, December 11, 2019

Thursday, December 5, 2019

2019: The best theatre of the year

My favourite theatre moments of 2019: The Children, Pretty Feelings, Beckett's Room, Tall Tail, and Endgame

Saturday, October 19, 2019

Faultline review: A heartfelt depiction of a movement gaining ground

ANU and the Gate Theatre's new immersive play is set in 1982, when hundreds of LGBTQ+ people were under investigation. Photo: Pat Redmond