Abbey Theatre, 'Our Few and Evil Days': Boy Who Cried Wolf

The artful surface of Mark O'Rowe's play leaves us suspecting throughout. Things are not what they seem.

Abbey Theatre, Dublin Theatre Festival 

Oct 3-Oct 25

My review of Our Few and Evil Days by Mark O'Rowe coming up just as soon as I say hello in Brown Thomas ...

Fay Brings Northern Soul to Lyric, Abbey Premieres New Mark O'Rowe Play

The Lyric Theatre's new Executive Producer Jimmy Fay to direct Judith Roddy and Carol Moore in a production of Pentecost.

The Lyric Theatre announced its new season yesterday, the first under the direction of new Executive Producer Jimmy Fay. The Abbey Theatre also revealed a sneak peak of their Autumn/Winter line-up. My thoughts on both after the jump ...

ThereIsBear!, 'Terminus': Devil May Care

Smock Alley Theatre

Jan 6-9

I've written a lot here in the last week so it's left me with a lot of things to catch up on. Unfortunately, this means I can't do a full review of ThereIsBear!'s production of Terminus by Mark O'Rowe. 

ThereIsBear! is a company formed in 2012 by members of NUI Galway's Drama Society. The last play they performed in this venue was the witch drama The Last Burning by Patrick Galvin. It was a good production but it carried the student drama trademark of a cast in their early-20s playing characters who are much older.

This production of Terminus, with a more age-appropriate cast, marks a more mature venture into professional drama.

Director Emmet Byrne's seemingly spare vision of O'Rowe's wicked play about three individuals pulled into Dublin's satanic underworld proves itself intricately detailed in his actor's skilful performances. Of particular note is Jed Murray, who makes the strongest connection with the audience (and who gets to show a more mindful. charming side than the aggressive roles he plays in ANU Productions' work). 

It's amazing how, in lieu of scenic action, O'Rowe's singing, mystical, eye-gouging script can captivate the audience. It's enough to get you excited about his upcoming adaptations of Shakespeare.

But the darkly operatic tales of Terminus are finely measured and conducted here by the ThereIsBear! company. If there's a show to see in town this week, it's this one. 

What did everybody else think?

Irish Theatre to See in 2014

Some plays for your diary ...

Irish Theatre Top 10 of 2013

Lloyd Cooney tearing it up in No. 14 Henrietta Street during ANU Productions' marking of the 1913 Lockout centenary.

As per the year end ramble of making lists of the year's best in music, cinema and such, below I give what I think are the highlights of 2013 in Irish theatre.

Before I begin I'll disclaim that while my scope is very Dublin-centred I did travel and provide extensive coverage of both the Cork Midsummer Festival and Galway Arts Festival. My misgivings include failed trips to Limerick, to the Blue Raincoat productions in Sligo, the Beckett Happy Days Festival in Enniskillen, the City of Culture events in Derry, and to any of the theatres in Belfast. These aside, however, I'll argue that this still is a comprehensive list of the year's finest in Irish theatre.

This year I made the decision to drop out of college and begin writing to arts editors looking for a job (if any of you said editors are reading, expect more pesterings in your inbox).

This commitment has meant that I have reviewed 102 performances in 2013 whilst keeping up the day job. These were spread between the reviews here, for Irish Theatre Magazine, and some work that I do for the Arts Council. The most read reviews here on the blog were my reviews of King Lear and Living the Lockout, my counterpoint to Una Mullally's Irish Times article on the most creative people in Ireland, and my opinion piece reacting to the Limerick City of Culture programme. 

Choosing 10 out of 102 wasn't easy but here they are:

New Tom Murphy Play and Mark O'Rowe's Adaptations of Shakespeare Make Up New Druid Line-Up

Details yet to surface on the new Tom Murphy play Brigit.

Exciting news from Druid Theatre Company after announcing their next line-up of plays.

Landmark Productions, 'Howie the Rookie': In Search of Respect

Project Arts Centre, Dublin
Jun 13-Jul 6

My review of Landmark Productions' Howie the Rookie by Mark O'Rowe coming up just as soon as I wear the white ski pants ...

Towards More Landmark Plays

Cillian Murphy in Misterman fighting against the trend of 'fundraiser plays'

One of the oldest rules in the book to guarantee a theatre company's survival has been to build a repertoire of plays, preferably ones that have earned a buck at the box office. The strategy is to draw on past hits, specific to the company or to the commercial theatre in general, and use funds to stay afloat. These fundraiser plays are safe and they may feel like nothing new but sometimes they're used to fund a later production that is compellingly new, rich with risk and innovation, something that will stay in your memory for years to come: the landmark play. What merit we can award a company depends on how that balance is struck between the fundraiser play, with its necessities of survival, and the landmark play, which can truly advance the artistry of the company.