My review of The Threepenny Opera by Bertolt Brecht and Kurt Weill coming up just as soon as I sing a ballad in which I beg all men for forgiveness ...
As I mentioned before, I am reviewing Thirteen in two parts. Part one is here.
Here are my thoughts on the remaining chapters (Soup, Save The Kiddies, Inquiry, Protest Part 2, Incitement, Bargaining, and Assembly) and on the event as a whole.
It's about time I wrote something about Thirteen - the thirteen-part theatrical epic by ANU Productions that is using the city as as a mise en scene to bring the Lockout of 100 years ago into focus.
I will be reviewing the event in two parts, with this post discussing the first eight chapters: Citizen X, Resilience, Porous, Suasion, Constituent(s), Backwash, Speakers Corner and Protest: Part 1.
LIPPY by DEAD CENTRE is perhaps the most polarising and extraordinary production to premiere at the Dublin Fringe Festival, and (at the last minute) I was asked to review it for Irish Theatre Magazine, the result of which you can find here: http://www.irishtheatremagazine.ie/Reviews/Current/Dublin-Fringe-Festival--Lippy
LIPPY is a performance about the suicide pact of four woman in a house in Leixlip, Co. Kildare thirteen years ago.
Writing the review didn't fully get it out of my system. I mean Christ! - it's one of the riskiest things I've seen, and its use of form and content could have backfired horrendously.
For my reviews of The Secret Art of Murder and a few other shows you'll have to go somewhere else.
Some of my reviews over the next few days will be published in Irish Theatre Magazine.
So for my reviews of Decision Problem [Good Time for Questions], GRINDR / a love story, The Last Post, and The Secret Art of Murder you'll have to click here.
Update: Instead of browsing the ITM reviewing section, here are links to the individual reviews.
Smock Alley Theatre, Dublin Fringe Festival Sept 9-13
My review of PONDLING by Genevieve Hulme-Beaman coming up just as soon as a brunette bolt of lightning shatters my hopes and dreams ...