Special Priced Tickets for Pan Pan’s ‘A Doll House’ for Musings Readers

I’m sure it’s clear to many of you at this stage that I am a huge fan of Pan Pan.

I am excited about their upcoming production of Henrik Ibsen’s A Doll House for many reasons, chief among them being the casting of the marvellous Judith Roddy as Nora Helmer (Roddy’s Ophelia in The Rehearsal’s “Where is the beauteous majesty of Denmark?” scene is one of my favourite theatre memories).

The producer of A Doll House has been in touch to offer a special deal for readers of this here blog.

Tickets (originally priced at €30/28) are available to readers for €16. Head over to the booking page and enter the code FriPan into the box marked “production code”, or call the box office at 01 6770014 and quote the code.  

Below are the show’s press release and trailer. See you all there!

Floating World Productions, ‘Picturing the Soul’: Hey Soul Sister

The Back Loft, Dublin

Feb 18-19

My review of Picturing the Soul coming up just as soon as I hand you a butterfly …

CoisCéim, ‘Touch Me’: Tables and Chairs

Town Hall Theatre, Galway

Feb 14

My review of Touch Me coming up just as soon as I hand you some keys ...

Sheer Tantrum, ‘The Master Builder’: Once Upon a Time There Was a Crack in a Chimney

The New Theatre, Dublin

Feb 6-18

My review of Sheer Tantrum’s production of The Master Builder by Henrik Ibsen coming up just as soon as I hang a wreath on a weathervane ...

Gúna Nua and Civic Theatre, ‘The Goddess of Liberty’: Madame O Diva

Project Arts Centre Cube, Dublin

Jan 31-Feb 18

My review of The Goddess of Liberty by Karen Ardiff coming up just as soon as I talk to a middling actor man from America ...

ABSOLUT Fringe and Project Arts Centre give us Turn Around

THEATREclub’s sonorous and rompous The Family finished its run this weekend at Project Arts Centre, thus leaving a void in our lives as we await that rare contemporary theatre piece unbound by convention until our Fringe overdose in September.

Thankfully, both the Fringe and Project will be making the wait easier as they announced last week their Turn Around season. In April we will be reunited with five Fringe shows from the past. The release states fringes, so it’s possible we’ll see productions not just from last year but the 2010 and 2009 festivals as well. The Final selected five haven’t been revealed yet but it’s fun to speculate.

So I pose the question: if you could bring back five Fringe productions – whether to relive something you loved or rewrite the past and see what you had previously missed – what would they be?

Here are mine:

THEATREclub and Project Arts Centre, ‘The Family’: We Begin and End With a Family

Project Arts Centre Upstairs, Dublin

Jan 17-28

My review of The Family (with spoilers) coming up just as soon as I see Mrs. Green on Sunday for book club …

Thoughts on Irish Times Theatre Awards Nominations 2011

The nominations are in for the Irish Times Theatre Awards 2011 (to be held Feb 26), and the details are here. I think this year’s shortlist is a good reflection of the work produced. Here are some general thoughts:
 

When you’re right, you’re right

I agree with the judges’ comments about how 2011 was great for design, direction, but not writing. Pat Kinevane and Mark O’Halloran earned their places here. Haven’t seen the others.

… and I was right!

Misterman a heavy contender in the tech categories is not surprising. What I did predict successfully was that Pan Pan’s Aedín Cosgrove would be giving them some competition.
 

We all need to go north

The Lyric is obviously a force to be reckoned with, with 5 nominations for Conall Morrison’s The Crucible.
 

The Male of the Species: Commedia Action Man

I can’t comment on Patrick O’Kane but the rest sounds right. Really happy to see Philip Judge get the nod, and while I sorely missed Man of Valour from what I hear Reid was phenomenal.  In the Supporting category I’ve only seen John Olohan but Phelim Drew as violent Saranzo in The Making of ‘Tis Pity She’s a Whore comes to mind.
 

The Female of the Species: Amy Conroy has arrived

I didn’t see Conroy in the role she’s been nominated for but the disarming I ♥ Alice ♥ I (bound for the Peacock Jan 30) along with consensual praise in press indicate that she’s a hot ticket at the moment. It’s an obvious move to nominate a Tony winner, and while Marie Mullen had her moment (singular), I’d remove her from the list on the basis that Testament just wasn’t good. Insert one of Selina Cartmell’s leads (Camille O’Sullivan and Kate Stanley Brennan), or Pineapple’s Caoilfhionn Dunne instead. As for Supporting Actress, great recognition for Karen Ardiff but Caitriona Ní Mhurchú (who I am a big fan of), along with every other performer in 16 Possible Glimpses, was squandered due to no fault of their own. What about The Making of ‘Tis Pity She’s a Whore’s Cathy Belton, Derbhle Crotty for Corcadorcha’s The Winter’s Tale, or Bairbre Ní Chaoimh for her intimate performance in Laundry instead.  

What’s Missing?

Would Neil Watkins and The Year of Magical Wanking have been considered for last year’s nominations or this years’? Either way, why the hell isn’t he here? As for The Blue Boy and Follow, I imagine their best chance of getting in here would probably have been through the tech categories but those are flooded with Misterman nominations.  Drat.
 

What’s going to win?

You tell me.

Úna McKevitt, ‘565+’: The Woman Who Walked Into Theatre

Project Arts Centre, Dublin

Jan 12-14

My review of 565+ coming up just as soon as I give Sam Shepherd a thumbs up …

Irish Theatre in 2011: When the Heroes are Gone

It’s that time when bloggers write their end-of-year contemplations, trying to count down the ‘Best of’ moments of whatever had them gushing into their keyboards for the past twelve months. You might recall that I did a ‘Best of’ list last year. It then became increasingly obvious to me that comparing performances and declaring a winner is a problematic and possibly fruitless exercise. For example, how do you measure something like Laundry against Misterman and decide which is the “best”? Also, some of my favourite shows this year such as Mimic and The Year of Magical Wanking had technically received their debuts before 2011, so would they be “qualified” for such a list?

Instead, I decided to write an impression of the year that was, of what we can say happened and the significance of such. And where is a more appropriate place to begin than Enda?