Bottom Dog, 'The Bachelor of Kilkish': Living on the Fringe

Myles Breen's play confronts the lack of acknowledgement of homosexuality in small town Ireland.

Lime Tree Theatre, Limerick

Jun 11-13

My review of The Bachelor of Kilkish by Myles Breen coming up just as soon as I start on candy floss and work my way up to the waltzers ...

Make Theatre a Part of Your Holidays this Summer

Ballyturk is looking quite the vacation spot this Summer. 

Whether you're hiking the McGillycuddys, sailing off the Causeway or sinking golfballs in Pirate's Cove, a trip to the theatre this summer is only a short drive away ...

City of Culture to Increase Visitors to Limerick but is it Engaging with Theatre in its Locality?

Production image of Tom MacIntyre's What Happened Bridgie Cleary by Bottom Dog - one of several Limerick-based theatre companies who could benefit from inclusion in Limerick City of Culture

In July 2012 Jimmy Deenihan, the Minister for Arts, Heritage and the Gaeltacht, introduced the National City of Culture initiative, wherein a designated city will host arts events all year round in hopes of increasing visitors to the locality as well having a long-term effect on the development of arts in the area.

Hosting duties were given to Limerick, a decision which couldn't have been more timely. It's been a difficult year for theatre companies in the city as the closing of the Belltable Arts Centre dealt a serious blow to the city's artistic infrastructure. When the government delivered the budget last month they announced €6m to go into Limerick for City of Culture. But from the reveal of the programme on Monday it was obvious that almost all of that money is going towards importing artists from outside the area. There's no doubt that the initiative will draw visitors to Limerick but it risks severely missing the opportunity to generate audiences and resources for the companies who will be working in the city after this ceremonial year is over.

Theatre Festival Season is Over but the Best May Still to Come

Production image of Blue Raincoat's upcoming production of First Cosmonaut by Jocelyn Clarke. The best Irish theatre of 2013 may still be on the way.

As usual, the combined mass of Dublin Fringe Festival and Dublin Theatre Festival may have exhausted many theatre goers. But not as normal is the fact that a certain benchmark feels yet to be achieved by this time of the year. The festival season usually produces some of the most powerful productions of the year. For example, at this point last year we had WillFredd's wonderful FARM, Have I No Mouth by Brokentalkers, ANU's The Boys of Foley Street, and the blistering Druid/Murphy cycle. 2013 feels yet to produce something on the same power levels as these works, though LIPPY, Thirteen, and the Gate's A Streetcar Named Desire are definitely up there.

The truth may be that the best plays of 2013 have yet to deliver. And over the next three months several of the country's most exciting companies put on their latest work. So get over your festival fatigue and mark these dates in your calendar: