In Gary Duggan's new play, a seemingly transparent young man works his way into the affections of two women. Photo: Keith Dixon
Friday, April 19, 2019
Saturday, April 13, 2019
In Our Veins review: A muddled history of a Dublin docker family
Lee Coffey's ambitious new play rushes through a century of the Dublin docklands. Photo: Pat Redmond
Monday, April 8, 2019
“Everyone’s a critic”: As column inches narrow, it's time for editors to raise standards
One of the puzzling editorial decisions, in these straitened times, is the Irish Times commissioning book reviewers who have eked out careers in literary writing as opposed to journalism.
Friday, April 5, 2019
Monday, April 1, 2019
Irish Times Theatre Awards: Why the most conventional production is a timely winner
DruidShakespeare: Richard III mightn't be the most aesthetically groundbreaking winner but it does feel globally relevant. Photo: Robbie Jack
Wednesday, March 27, 2019
Bold Moves review: Ballet Ireland search for an insurrection with the off-the-wall Gaga movement
This absorbing production is a triple-bill of dances about flights of departure. Photo: Declan English
Monday, March 25, 2019
Irish Times Theatre Awards predictions: Seeing all four Best Production nominees won’t make you any wiser
Best Production nominees: The Lost O'Casey, Grief is the Thing with Feathers, DruidShakespeare: Richard III and How It Is: Part One
Saturday, March 23, 2019
Sure Look It, Fuck It review: The thick haze of a spoken word nirvana
Clare Dunne's debut play follows a returned emigrant through one day in Dublin, struggling with anxiety. Photo: Fiona Morgan
Friday, March 22, 2019
In a freak occurrence, a new play has sold out the Gate Theatre. For once it might have been the reviews
Seán McGinley and Marie Mullen in The Children, the first recently-written play to fill the Gate in years. Photo: Ros Kavanagh
Sunday, March 17, 2019
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