The Happy Prince review: Alluring production of Oscar Wilde’s story without the decadent comedown

The statue of a prince peers into the lives of a city's misfortunate inhabitants, in Oscar Wilde's story for children. 

Seraglio review: An opera from the lost season reimagined as a daringly modern miniseries

In Irish National Opera's hands, Mozart's orientalist singspiel loses the arabesques and makes the move to lockdown Dublin.

Binge review: A gleeful performance installation on Zoom where treasured television shows hold life’s answers

This interactive performance, presented by Cork Midsummer Festival, makes reassuring parallels between the audience's stories and the lives of fictional television characters. Photo: Christa Holka

Ulysses review: RTÉ’s staggering 29½-hour radio play of James Joyce’s wild gibberish novel

In Joyce's story, Leopold Bloom navigates an unhappy marriage and Stephen Dedalus searches to elevate everyday heartache into epic poetry

Exotic v. Baskin review: An operatic riff on a trashy pleasure struggles to tame its subjects

Carlow Arts Festival's Tiger King-inspired opera sees a showdown between zookeeper Joe Exotic and animal conservationist Carole Baskin. 

Black Lives Matter protests: Irish theatre has blindfolded itself to race

Boy Child, Felispeak's swooning spoken word drama about a man's coming of age in Nigeria, is one play that has felt like a drop in the ocean in recent years. 

Howie the Rookie review: A vivid poignant broadcast from Mark O’Rowe’s Dublin underworld

Glass Mask's streamed theatre production, in conjunction with the Lock Inn, rediscovers the darkness and violence of Mark O'Rowe's breakout play. Photo: Seán Doyle

Coronavirus arts measures: The Culture Ministry is a carriage waiting to turn into a pumpkin

Bewley's Café Theatre is the first venue to be seriously impacted by the pandemic. Photo: Bewley's

We’re in Here review: A sly contemporary play about temporary disconnection and lasting gratitude

The narratives of a drama facilitator, a counsellor, and a son remembering his mother intermingle in John Doran's consoling new play. Photo: John Doran

The Little Foxes: Can the flapper generation of the Gate’s plays become the theatre’s playwrights?

Lillian Hellman in 1976. A revival of her 1939 drama The Little Foxes, now sadly postponed, could signal a new trend for how the Gate Theatre interprets the American playbook. Photo: The Advertising Archives