Saturday, September 28, 2019

Mám review: A dance through Ireland’s subconscious without any coherent point

Michael Keegan-Dolan's new dance resembles scenes from a dramatic community gathering, but its nostalgia doesn't make it complete. Photo: Ros Kavanagh 

Tuesday, September 24, 2019

Beckett’s Room review: Samuel Beckett and Suzanne Dechevaux-Dumesnil’s touching story of survival

This miraculous play without performers takes us to Nazi-occupied Paris, and the source of Samuel Beckett's storytelling. Photo: Kyle Tunney

Saturday, September 21, 2019

Incantation review: Misty performance art about intergenerational trauma

Maïa Nunes, an artist of Irish-Trinidadian descent, connects to her forebears in this performance art. Photo: Alan Gilsenan

Sorry Gold review: An intoxicating and profound aerial epic

 
Emily Aoibheann's extraordinary aerial dance brings us from the heights of civilisation to its wreckage.  Photo: Eoin Kirwan 

Thursday, September 19, 2019

Some Names Were Changed review: Fiction brings us closer to the truth in this cluttered documentary play

In Ross Dungan and Ronan Phelan's new interactive play, the audience help tell the story of a married couple. Photo: Patricio Cassinoni

Tuesday, September 17, 2019

Fetch review: Superb art-horror installation about impending disaster

Two strangers meet onboard a flight in this installation, presented inside a shipping container. Photo: Paula Trojner

Saturday, September 14, 2019

Thursday, September 12, 2019

Sink review: A play excavating two women's lives and discovering too little

An archaeologist digs up a bog body in John O'Donovan's new play, but ends up uncovering the trauma of another woman. Photo: Keith Dixon 

Monday, September 9, 2019

Sunday, September 8, 2019