Sorry Gold review: An intoxicating and profound aerial epic

 

Emily Aoibheann's extraordinary aerial dance brings us from the heights of civilisation to its wreckage.  Photo: Eoin Kirwan 

Some Names Were Changed review: Fiction brings us closer to the truth in this cluttered documentary play

In Ross Dungan and Ronan Phelan's new interactive play, the audience help tell the story of a married couple. Photo: Patricio Cassinoni

Fetch review: Superb art-horror installation about impending disaster

Two strangers meet onboard a flight in this installation, presented inside a shipping container. Photo: Paula Trojner

Pretty Feelings review: A magnificent surreal comedy about the art of love

The goddess Venus is the director of a match-making agency in this ebullient production. 

Sink review: A play excavating two women's lives and discovering too little

An archaeologist digs up a bog body in John O'Donovan's new play, but ends up uncovering the trauma of another woman. Photo: Keith Dixon 

Bodies of Water review: An arty play-installation but a shallow exploration of grief

A curator holds a retrospective of her missing partner's artwork in this new play-installation.

A Very Old Man With Enormous Wings review: Sublime children’s theatre about an elderly prisoner

A couple stumble across an old man with wings in Gabriel García Márquez's story for children. Photo: Ste Murray 

This Beautiful Village review: A simplistic play dismantling the patriarchy over wine and crackers

Members of a residents association meet to discuss a piece of graffiti in Lisa Tierney-Keogh's new play. Pat Redmond 

The Hunger review: Donnacha Dennehy’s plotless opera set during the Famine

The Hunger is based on the writings of an American philanthropist who visited Ireland during the Famine. Photo: Pat Redmond

The Roaring Banshees review: This gangster play would be a scream if it spilled more blood

A rogue Cumann na mBan unit fight Chicago gangsters in Peter McGann and John Morton's new play.