Dublin Dance Festival present Virgilio Sieni's dance inspired by a Lucretius poem. Photo: Paulo Porto
Wednesday, May 15, 2019
Sunday, May 12, 2019
A Streetcar Named Desire review: Tennessee Williams's masterpiece becomes an absorbing psychodrama
This revival of Williams's play about a woman visiting her sister shows the horrors of domestic abuse. Photo: Johnny Frazer
Friday, May 3, 2019
The Glass Menagerie review: Tennessee Williams's breakout play with a little too much polish
The Wingfield family of The Glass Menagerie are all left behind, in some respect, by the world. Photo: Ste Murray
It Was Easy (in the End) review: THEATREclub's coproduction with the Abbey is a bit of a mess
Grace Dyas's new play follows a group of off-the-grid artists imagining the end of capitalism. Photo: Dorje de Burgh
Friday, April 19, 2019
Spotless review: A peculiar fathering crisis drama turns fascinating thriller
In Gary Duggan's new play, a seemingly transparent young man works his way into the affections of two women. Photo: Keith Dixon
Saturday, April 13, 2019
In Our Veins review: A muddled history of a Dublin docker family
Lee Coffey's ambitious new play rushes through a century of the Dublin docklands. Photo: Pat Redmond
Monday, April 8, 2019
“Everyone’s a critic”: As column inches narrow, it's time for editors to raise standards
One of the puzzling editorial decisions, in these straitened times, is the Irish Times commissioning book reviewers who have eked out careers in literary writing as opposed to journalism.
Friday, April 5, 2019
Monday, April 1, 2019
Irish Times Theatre Awards: Why the most conventional production is a timely winner
DruidShakespeare: Richard III mightn't be the most aesthetically groundbreaking winner but it does feel globally relevant. Photo: Robbie Jack
Wednesday, March 27, 2019
Bold Moves review: Ballet Ireland search for an insurrection with the off-the-wall Gaga movement
This absorbing production is a triple-bill of dances about flights of departure. Photo: Declan English
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