Two friends bury a dead cat in Kate Heffernan's comedy for young audiences, and unearth serious questions about the world they've inherited. Photo: Ros Kavanagh
Saturday, March 16, 2019
Thursday, March 7, 2019
The Children review: Intimate drama presented as environmental disaster in Lucy Kirkwood’s magnificent play
Two retired nuclear scientists are visited by an old colleague in this excellent drama. Photo: Ros Kavanagh
Friday, March 1, 2019
The Country Girls review: Edna O'Brien's groundbreaking novel receives a strange otherworldly production
O'Brien adapts her novel for the Abbey Theatre, following two young women expelled from school and starting their next stages of life in Dublin. Photo: Ros Kavanagh
Wednesday, February 27, 2019
22 years at the Irish Times Theatre Awards: An inconsistent ceremony shows signs of growth
In 2016 DruidShakespeare was the first production to take the major awards of Best Production, Best Actress, Best Actor and Best Director. Photo: Matthew Thompson
Monday, February 25, 2019
Irish Times Theatre Awards: A complete list of every nomination ever
In other countries awards are presented by theatre organisations. Here the ceremony is organised by a national newspaper, and sometimes ignored by rival media outlets.
Wednesday, February 20, 2019
New plays on big stages: Could this be a game-changing year for Irish theatre?
Promotional art for The Children. The Gate Theatre hasn't opened a new production in five months, but the wait was necessary to shore up its new play.
Tuesday, February 12, 2019
Covering the Abbey complaints: Journalists need to get a grip when reporting on theatre
Newstalk's The Hard Shoulder showed poor research in its coverage but it did allow host Ivan Yates to interview a theatre worker as if greeting an old peacocking friend. Photo: Newstalk
Thursday, February 7, 2019
The Cripple of Inishmaan review: Like watching Pulp Fiction without the brain-splattering gunshot
Martin McDonagh's dark comedy about an intolerant island community receives a tame production. Photo: Pat Redmond
Thursday, January 31, 2019
So Where Do We Begin? review: Wordy psychodrama flirts with big questions
A psychotherapist's patient is stealing memories in Seanan McDonnel's sharply clever play. Photo: Myles Shelly
Thursday, January 24, 2019
The Ridleys review: Pushing two rapid monologues towards art-horror
Philip Ridley's companion plays Tonight with Donny Stixx and Dark Vanilla Jungle are staged in one sitting. Photo: Ste Murray
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