The Company, 'The Rest Is Action': Victory With a Twist

Getting inside the Oresteia is hard work. For The Company, the challenge is getting out.

Project Arts Centre 

Sept 6-13

My review of The Rest Is Action coming up just as soon as I have sacrificial victims on the altar bleeding all over my house ...

Ruairí Donovan, 'ZOMBIES': Night of the Living Dead

This all-nighter polemic seeks to open our eyes to the collapse of Capitalist culture. Keeping our eyes open is another story.

D-Light Studios, Dublin Fringe Festival
Sept 6-7, 13-14


My review of ZOMBIES; why death is dying or are you working hard enough? coming up just as soon as I distrust a poem that introduces itself as a poem ...

Painted Bird Productions, 'Between Trees and Water': Visions of the Past

How do you find the right way to tell a story that has gone untold for 75 years? With sensitivity and discretion.

Unitarian Church, Cork
Sept 1-6

My review of Between Trees and Water coming up just as soon as I give you 10 pounds to buy a cap and stockings ...

Stepping Out From Under Destiny

Promotional art for The Rest Is Action. How do you present the world without denying that it is completely manufactured? The Company talk about their reinvention of The Oresteia. 

"Maybe I'm older now and bitter" says Jose Miguel Jiminez, theatre director and co-founder of The Company, "but the idea I had when I was younger was that my theatre practice, to a certain extent, had to do with changing the world".

The Look of the Diamond

Promotional art for Vardo. Having 'the look of the Diamond' has given Louise Lowe a sense of permission to make the Monto Cycle this far. The ANU director talks about how the final chapter has led the company into a darker and more dangerous place than before.

We've visited brothels and laundries, been pulled into cars, given gifts of carbolic soap, recorded brutal beatings on the street, and been caught in the blast radius of a bomb. Now it's time for ANU Productions' accomplished Monto Cycle of plays about Dublin's hidden histories to come to an end.

Sugarglass Theatre, 'Five Minutes Later': Disconnect Four

Temporal relationships are the focus of Ellen Flynn's debut play. Can four individuals connect in a hyper-connected world? 

The Lir
Aug 28-Sept 6 


My review of Five Minutes Later by Ellen Flynn coming up just as soon as I go around the corner for love ...

Abbey Theatre, 'Heartbreak House': Christened After Tennyson

100 years after the outbreak of the Great War, do we still live in the world of Shaw's play -  where society drifts towards destruction? 

Abbey Theatre

Aug 20-Sept 13 

My review of Heartbreak House by George Bernard Shaw coming up just as soon as I break it down for you in degrees ...

Lyric Theatre, Punk Rock: Teenage Kicks

Under Selina Cartmell's moshing and incisive direction, it slowly becomes a question of who is the loose trigger in Simon Stephens' play?

Lyric Theatre, Belfast
Aug 14-Sept 6


My review of Punk Rock by Simon Stephens coming up just as soon as I sort you with a second edition of Waverly …

City Bridge Transforms Into Harp as Fringe Festival Invokes Classical Myths

Dublin Fringe opens with Ulysses Opera Company's HARP | A River Cantata - an outdoor performance about the Harp of Dagda.

Painted up in new stripes, Dublin Fringe Festival (running Sept 5-20) went into their programme launch this week with an image and line-up of events that felt refreshingly new. Ahead of his first festival as director, Kris Nelson - formerly a Montreal-based producer - secured the organisation with a new sponsor in Tiger Beer, instilling his confidence in the role. In terms of vision, you'd wonder if he'd continue in the same strain as previous director Roise Goan, who in the years of economic collapse shaped the festival into an important site of theatrical activism. With an emphasis on exploring the city, turning it into a backdrop for Irish and Canadian histories and revisiting ancient mythologies in hopes of claiming something new, it seems that Nelson's adventurous spirit as a recent-arrival in Dublin is set to be infectious.

Landmark Productions, 'Ballyturk': Everything We Thought We Knew

The affect of watching Enda Walsh's play is to feel certainty of time and place constantly slip away. Will we ever find our way back from Ballyturk? Photo: Patrick Redmond

Black Box Theatre, Galway International Arts Festival

Jul 14-27

My review of Ballyturk coming up just as soon as I don't think bunnies should be given that complexity ...