Attic Productions, 'Marvel': The Things Money Can't Buy

Project Arts Centre,

Nov 19-23

My review of Marvel by Elizabeth Moynihan coming up just as soon as I should have been named Hermes ...

Clinic Media, 'Life Behind The Venue': There is an 'Us' in 'Usher'

Project Arts Centre
Nov 19-23

My review of Life Behind The Venue coming up just as soon as I get an office with a balcony ...

Lyric Theatre, 'Brendan at the Chelsea': Beauty and the Behan

Project Arts Centre
Nov 12-16

My review of Brendan at the Chelsea by Janet Behan coming up just as soon as I phone a publisher to find out where my husband is ...

Smashing Times, 'Witness': Theatre for Change

Project Arts Centre
Nov 5-9

My review of Witness - a programme of new work by Smashing Times - coming up just as soon as I do a good impression of Enda Kenny ...

City of Culture to Increase Visitors to Limerick but is it Engaging with Theatre in its Locality?

Production image of Tom MacIntyre's What Happened Bridgie Cleary by Bottom Dog - one of several Limerick-based theatre companies who could benefit from inclusion in Limerick City of Culture

In July 2012 Jimmy Deenihan, the Minister for Arts, Heritage and the Gaeltacht, introduced the National City of Culture initiative, wherein a designated city will host arts events all year round in hopes of increasing visitors to the locality as well having a long-term effect on the development of arts in the area.

Hosting duties were given to Limerick, a decision which couldn't have been more timely. It's been a difficult year for theatre companies in the city as the closing of the Belltable Arts Centre dealt a serious blow to the city's artistic infrastructure. When the government delivered the budget last month they announced €6m to go into Limerick for City of Culture. But from the reveal of the programme on Monday it was obvious that almost all of that money is going towards importing artists from outside the area. There's no doubt that the initiative will draw visitors to Limerick but it risks severely missing the opportunity to generate audiences and resources for the companies who will be working in the city after this ceremonial year is over.

CoisCéim Reveal New Dance Show About Former Project Arts Centre Director

Berlin-born Agnes Bernelle worked for British Special Operations during World War II as a 'Black Propaganda' radio announcer in Germany. She later became an international actress and cabaret singer, and spent the last years of her life in Dublin where she worked as Creative Director of Project Arts Centre

CoisCéim Dance Theatre launched their artistic programme for 2014 today. New collaborations see David Bolger and company donating their catalogue of twenty years' work to the National Dance Archive of Ireland (making them the first dance company to do so) as well as a residency in the National Gallery in February to develop a special performance in the gallery in June to celebrate its 150th anniversary.

Most exciting is the March premiere of the company's next dance piece AGNES - a work based on the life of Agnes Bernelle.

Abbey Theatre, 'The Hanging Gardens': Why Don't You Listen to the Story?

Abbey Theatre, Dublin Theatre Festival
Oct 9-Nov 9

My review of The Hanging Gardens by Frank McGuinness coming up just as soon as I'm better off marrying a horse chestnut ...

Fregoli, 'Dorset Street Toys': Falling Hard and Fast

Smock Alley Theatre
Oct 24-26

My review of Dorset Street Toys by Rory O'Sullivan coming up just as soon as I drink something foreign ...

Theatre Festival Season is Over but the Best May Still to Come

Production image of Blue Raincoat's upcoming production of First Cosmonaut by Jocelyn Clarke. The best Irish theatre of 2013 may still be on the way.

As usual, the combined mass of Dublin Fringe Festival and Dublin Theatre Festival may have exhausted many theatre goers. But not as normal is the fact that a certain benchmark feels yet to be achieved by this time of the year. The festival season usually produces some of the most powerful productions of the year. For example, at this point last year we had WillFredd's wonderful FARM, Have I No Mouth by Brokentalkers, ANU's The Boys of Foley Street, and the blistering Druid/Murphy cycle. 2013 feels yet to produce something on the same power levels as these works, though LIPPY, Thirteen, and the Gate's A Streetcar Named Desire are definitely up there.

The truth may be that the best plays of 2013 have yet to deliver. And over the next three months several of the country's most exciting companies put on their latest work. So get over your festival fatigue and mark these dates in your calendar:

Gate Theatre, 'The Threepenny Opera': A Question of Give and Take

Photo: Matthew Thompson

Gate Theatre, Dublin Theatre Festival
Oct 1-Nov 2

My review of The Threepenny Opera by Bertolt Brecht and Kurt Weill coming up just as soon as I sing a ballad in which I beg all men for forgiveness ...