Wrong Curtain, ‘Cíosa Le Gear’

Cíosa Le Gear, The play I’ve directed with Wrong Curtain, opens tonight in the Town Hall, Galway and runs until Friday 21^st. I’m always looking for feedback so please feel free to use the comments section below to share your thoughts. Here is the show’s press release:

Cíosa Le Gear is a contemplation into the human-music rapport. Cíosa is a real-life young songwriter from Galway. Using biographical information from a series of interviews, a group of actors and musicians have come to form relationships with Cíosa and her songs, whilst reflecting on their own relationships to music in the process. After weeks of exploration we found not only Cíosa, but ourselves.

Cíosa Le Gear is our way of telling you our secret. 

Wrong Curtain was established by John J. Smyth and Chris McCormack in 2010 to practice theatre that is in aberration from the traditional. Our aim is to render theatrical space in its intimate and harmonious quarters as opposed to its fictitious faculties. Through the rearranging of theatrical form, we seek to explore realities that are universal and true.

Will be getting around to writing my thoughts on the Imagine Ireland scheme and the Irish Times Theatre nominations later in the week.

Forced Entertainment, ‘Void Story’: A Night Out At The Theatre/Cinema/Radio/Etchells

Project Arts Centre, Dublin

Jan 13-14

My review of Void Story coming up just as soon as I look for some leaves with medicinal properties …

Smashing Times crack the hourglass with ‘Shattering Glass’

I forgot to mention in my January listings Smashing Times and their ‘Acting For Change’ initiative in Donegal. The project utilises drama and theatre activities within Donegal to engage participants to explore themes that are a consequence of the conflict in Northern Ireland and the Southern Border counties.

As part of the initiative the company present Shattering Glass – an original production developed from an extensive period of research, workshops and interviews. The play explores memories, conflicts, and trauma through the portrayal of intense and dramatic experiences. The play opens at Balor Arts Centre, Ballybofey on the 11^th, and then moves to Ramelton Town Hall on the 12^th, Colgan Community and Resource Centre in Carndonagh the 13^th, and the Regional Cultural Centre, Letterkenny on the 14^th.  

I really admire Smashing Times’ ethos of communal collaboration and social engagement. Turning their gaze to the traumatic history of Northern Ireland makes brilliant sense, and I’m really glad that someone is focusing theatre towards the cultural resonances of the nation’s darkest times.  

Musings Listings: January 2011

Happy 2011! One of my resolutions this year is to make this blog brilliant. One of the areas I feel that need improvement is promotion. Indeed, most of the shows I write about have finished their run by the time I get my pieces about them up. Thus, welcome to a new feature of Musings: a monthly listing of the shows that are on during the given month.

I’m happy to see that January 2011 is notable for other than the panto procession which usually dominates this time of year (though if you do fancy seeing Jafar, Abu, Iago, and company then the Gaiety is the place to go). Personally, my pick of the month is Forced Entertainment’s Void Story (pictured above) (Project Arts Centre, 13-14). Not often do these theatrical daredevils touch down on Irish soil, and those who know them know that they have an uncanny ability to warp theatrical form to marvellously demented results. The play tells the story of two survivors of a decimated civilization in a sort of ‘visual-radio play’ style.

 Also worth going to (even if have already) is The Company’s As You Are No So Once Were We(*), which has its well-earned run on Peacock stage, 25^th-Feb 5^th . Brilliant show.

 * Original review:

http://musingsinintermissions.blogspot.com/2010/12/best-of-irish-theatre-2010-5-company-as.html#more

Also over in Dublin …

Best of Irish Theatre 2010 #1: Pan Pan, ‘The Rehearsal, Playing the Dane’

Samuel Beckett Theatre, Dublin

Oct 1-10

Again, if you look through my archive you will find a post on The Rehearsal, Playing the Dane (I’ll be nice and put the link at the bottom of this post).

Pan Pan made not only a really fun production for die-hard theatre buffs with this one, but utilized an ingenious stagecraft as well as a brilliant court of actors who brought endless humour and emotionally moving performances.

From establishing the performers in their personal and professional capacities as they audition for the role of ‘Hamlet’, Gavin Quinn and Pan Pan take us to an Elsinore of mirrored halls and rubbish cans where the impetus to ‘perform’ doesn’t shroud the indefinite natures of the individuals. Instead we are witness to the actors’ abilities to rise to the occasion and make Shakespeare’s masterpiece their own.

What a wonderful cast. Particularly enjoyable was seeing Connor Madden overcome his actor insecurities with a grand feat of athleticism and raw emotion, paying homage to the divine role with charm and skill. Also a highlight was Judith Roddy’s performance as Ophelia, drenched in rubbish and sorrow. Absolutely mesmerizing and gorgeous.

Brilliant show.

As for the best individual performances of the year …

-         Madden and Roddy for Playing the Dane. These guys can captivate an audience single-handedly.

-         Penelope nobles Tadhg Murphy and Niall Buggy. Absolutely incredible work.

 

-         Christ Deliver Us! tragic youths Aoife Duffen and Laurence Kinlan. These kids just break your heart.

-         Little John Nee for Barabbas’s Johnny Patterson the Singing Irish Clown. Much more than just a comic troubadour.

-         Hillary O’Shaughnessy for taking us through her broken city while courageously facing off street punks with the assistance of a guitar-wielding busker in Playgroup’s Berlin Love Tour. She also gave us gummy bears.

Best writing …

-         Kilroy for Christ Deliver Us! and Walsh for Penelope. Both brilliant pieces.

Best direction …

-         Gavin Quinn deserves the trophy for The Rehearsal, Playing the Dane. Garry Hynes brought some epic production values into The Silver Tassie though.

Well that’s 2010 wrapped up (with only a few hours to spare).

See you in the new year folks.

The Rehearsal, Playing the Dane review:

http://musingsinintermissions.blogspot.com/2010/10/pan-pan-rehearsal-playing-dane-bins.html#more

Best of International Theatre 2010 #1: Ontroerend Goed, ‘The Smile Off Your Face’

Smock Alley Theatre, Dublin

Sept 30 – Oct 3

One could accuse me of laziness. Not only is The Smile Off Your Face not a show that debuted in 2010 (which is the point of this list) and in fact came onto the scene a few years ago, but it is also a show I have already written about (the link to that post is on the bottom of this one). I gave The Smile Off Your Face #1 not only because it was hands down the greatest theatre experience for me this past year, but one of the most magical experiences of my whole life.

Smile is basically a mirror, ironic as it is seeing as you’re blindfolded throughout. Much like the 101 scenarios, this show has the ability to get under the surface of your very being. Whereas the Oneohone example I wrote about prompts you to reflect on your courage, or lack thereof, Ontroerend Goed softly treads the peripheries of your intimate, personal life.    

The magic of this show lies in the trust between your disabled self and the mysterious performers who surround you, as you together draw back the curtain of the syncretism of theatrical illusionary and reality. This material is the fabric of theatre, of art, and never quite has one sailed (or pushed in a wheelchair) so close to this sight of the real and unreal being so beautifully harmonized.

Beautiful.

The Smile Off Your Face review:

http://musingsinintermissions.blogspot.com/2010/10/ontroerend-goed-smile-off-your-face.html#more

Other Ontroerend Goed …

Internal:

http://musingsinintermissions.blogspot.com/2010/10/ontroerend-goed-internal-blind-date.html#more

A Game of You:

http://musingsinintermissions.blogspot.com/2010/10/ontroerend-goed-game-of-you-about-you.html#more

Teenage Riot:

http://musingsinintermissions.blogspot.com/2010/12/best-of-international-theatre-2010-5.html#more

Best of Irish Theatre 2010 #2: Druid, ‘Penelope’

Druid Lane Theatre, Galway

Jul 8-24

 

“A group of men with a common ideology, a collective direction! That’s what you’re suggesting, Quinn! We’re building a company right here!” 

– Dunne

“There’s no point. We’re the talking dead. Now I want to talk about my friend Murray” 

– Burns

Choosing only five productions from this past year has not been an easy task. Even tougher was deciding which order they should be in.

I gave The Company #5 for their sharp ingenuity and effortless charm. I gave Druid’s The Silver Tassie #4 for the momentous production values and O’Casey’s enigmatic script. Christ Deliver Us!, then, felt like the perfect match of the greatest theatrical resources of the nation with one of the strongest literary voices of the nation. The Abbey-Thomas Kilroy combo was perfect in poetry and relevance. However, I don’t think it quite beats the latest jewel from Druid’s genius correspondence with Enda Walsh.

Best of International Theatre 2010 #2: Oneohone, ‘101’

C Soco, Edinburgh

Aug 15-30

The year is nearly over and it’s time to think back on the lessons we’ve learned. I’ll go first: I was naïve once and probably still am.

From reading this blog you may find that I often attribute a generosity or kindness to theatre, assuming it to be a considerate, well-meaning experience insofar as its audience is concerned.

There was one show this year that convinced me otherwise. There really is no other way of putting it:

101 got under my skin.    

Best of Irish Theatre 2010 #3: Abbey Theatre, ‘Christ Deliver Us!’

Abbey Theatre, Dublin

Feb 16 - Mar 13

“There’s always something in the world that’s stronger than us”

This is the truth that Winnie Butler has come to accept. The young girl’s frustration, and that of the rest of the young inquisitors of Christ Deliver Us!, is the real emotional tug of this piece of theatre. The truth is: they’ve all been defeated.

Best of International Theatre 2010 #3: Shared Experience & Sherman Cymru, ‘Speechless’

Traverse Theatre, Edinburgh

Aug 5-29

“I hate the life I am leading now. But why do I say leading? I do not lead my life at all. It is pulled along by an invisible string. By whom? By what? A circumstance of the past. A force. I’m just an onlooker”

– June Gibbons.

“You are Jennifer. You are me”

– Jennifer Gibbons

Edinburgh Fringe is a brilliant place to be. No where else do you quite see the spirit and possibility of theatre at its most free as when you walk down the Royal Mile, every inch of which canvassed by pamphleteers and street performers. The city turns into a vast marketplace for the month of August, with the best and worst of today’s theatre on offer. Luckily I was able to locate the former with Sherman Cymru and Shared Experience’s joint effort: Speechless.

Shared Experience are a London-based theatre company who have come to distinguish itself through a series of critically honoured literary adaptations, notably their homage to Charlote Brontë, Eyre, which received acclaim for its unison of world-class acting and text. Co-artistic director Polly Teale’s script achieved praise for reaching eloquent depths in writing about the destructive effects of retreat into imagination in adversary to isolation, an artistic feat Teale would also achieve with her company’s follow-up – a project based on Marjorie Wallace’s The Silent Twins.