The Ulster Bank Dublin Theatre Festival has arrived, and now one must choose from what’s on offer. On one hand you may be lured by the colourful spread laid out by international players who don’t visit often, with the exotic appeal of culturally-different, experimental, and physical material. Meanwhile, the enthusiasts of Irish theatre will commit themselves to seeing the who’s who of Irish companies who are also operating on full throttle.
While I may not be able to afford James Macdonald’s John Gabriel Borkman in the Abbey (which has enough impressive names attached to warrant a national holiday), I did get to see Pan Pan’s The Rehearsal, Playing the Dane. My review of this excellent vivisection of The Tragedy of Hamlet, Prince of Denmark right after I read out all my lines consecutively …