THEATREclub, 'HISTORY': The Republic That Never Was

As the finale of THEATREclub's trilogy of history plays, will this look backwards move us forward? 

Below is my review of THEATREclub's HISTORY - the last play I will be reviewing this year. I will be taking a break for Christmas but check back next Monday for my top 10 theatre productions of 2013. Meanwhile, my review of HISTORY coming up just as soon as I am also in the play ...

Abbey Theatre, 'The Risen People': Was it For This the Wild Geese Spread?

As a year of marking the centenary of the 1913 Lockout comes to a close, what can The Risen People tell us about this distressing chapter of Irish history? Photo: Ros Kavanagh

Abbey Theatre
Dec 5-Feb 1


My review of The Risen People by James Plunkett coming up after the jump ...

Rough Magic, 'Assassins': Sing to Kill

How does Stephen Sondheim's musical make sense of the US Presidential assassination attempts, successful or otherwise, throughout the years?  

Project Arts Centre

Dec 9-14

My review of Assassins, as part of Rough Magic's SEEDS showcase, coming up just as soon as I consider killing Franklin Roosevelt ...

Rough Magic, 'Way To Heaven': If a Tree Falls in a Forest ...

Rough Magic's SEEDS showcase shows us what really happened during the Red Cross inspection at the Nazi concentration camp in Theresienstadt.

Project Arts Centre,
Dec 9-14


My review of Way To Heaven by Juan Mayorga, as part of Rough Magic's SEEDS showcase, coming up just as soon as my walking stick covers up a multitude of sins ...

Souvenirs for the Swindled

Actor Marcus Lamb and cellist Kim V Porcelli in Men Like Us - an arrangement of three Samuel Beckett plays by Mouth on Fire

Last Friday night the Beckett impresarios, Mouth on Fire, produced three of the playwright's one-act plays in the Kevin Barry Room of the National Concert Hall. The company were accompanied by musician Kim V Porcelli, whose looped cello arrangements spun a sound so vast that you could get lost in its despairing folds. First up was Matalang - an Irish language adaptation of Catastrophe - in which an autocratic director (Clive Geraghty) mercilessly arranges the presentation of an actor (Shadaan Felfeli) onstage, stripping his clothes and altering the height level of his arms. Felfeli's trembling turn as the unspeaking, unprotesting protagonist does disturb. "There's our catastrophe!", says the director triumphantly.

Discrimination in Drama: Persevering Some Playwrights

Philip Doherty's The Circus of Perseverance for the Gonzo Theatre Company (Smock Alley Theatre until Nov 30) makes jokes of the disenfranchised. 

There is a scene in The Circus of Perseverance by Philip Doherty - a comedy that brings the misfits of Dublin's economic misfortune into the circus ring (Smock Alley Theatre until Nov 30) - where a taxi driver laments the loss of Ireland's great artists. "Even Brendan Behan", he says, "and he had the face of a melted arse".

This Weekend: Cork Puts On a Show, Limerick Imagines its Future

This weekend the theatre communities of Cork and Limerick cities organise to address issues in their local infrastructures.

Attic Productions, 'Marvel': The Things Money Can't Buy

Project Arts Centre,

Nov 19-23

My review of Marvel by Elizabeth Moynihan coming up just as soon as I should have been named Hermes ...

Clinic Media, 'Life Behind The Venue': There is an 'Us' in 'Usher'

Project Arts Centre
Nov 19-23

My review of Life Behind The Venue coming up just as soon as I get an office with a balcony ...

Lyric Theatre, 'Brendan at the Chelsea': Beauty and the Behan

Project Arts Centre
Nov 12-16

My review of Brendan at the Chelsea by Janet Behan coming up just as soon as I phone a publisher to find out where my husband is ...