THISISPOPBABY, ‘The Year of Magical Wanking’

Project Arts Centre, ABSOLUT Fringe 2011

Sept 10-17

I’ve been telling people about how moved I was by Neil Watkins’ excellent show, which is a funny and dark allegory of destructive homosexual behaviour in Catholic Ireland. I’m finding a lot of the time though that people stop listening as soon as I mention the title, which is incredibly apt but proving to be a hard-sell.  

I’ve decided that I’m going to wait to see it again before finishing my post on it (which well may be the closing show on Saturday). In the meantime, I strongly recommend that you don’t miss it.

Armoured with poetic verse, Watkins brings the internalised homophobia of man, nation, and spirituality to its knees. And the price is devastating.

What does everybody else think of The Year of Magical Wanking?

Rough Magic SEEDS Showcase, ‘Jumping Off The Earth’: Sailors Fighting In The Dance Hall

Project Arts Centre, ABSOLUT Fringe 2011

Sept 10-17

I reviewed Jumping Off The Earth for Irish Theatre Magazine, which you can read here.

The show’s good fun and I’ll watch José Miguel Jiménez and Brian Bennett’s work for a long time, but I doubt this will gain the indie stardom that their As You Are Now So Once Were We did. JOTE lacks the charm, technique and companionship that made As You Are so watchable, and when it tried to force its sentimental side we could care less. Really interested in seeing all these performers in more projects though, and the idea of a Jiménez and Aedín Cosgrove collaboration will always excite me.

Really interesting in hearing what everybody else thought.

Melanie Wilson, ‘Autobiographer’: Remembrance

Smock Alley Theatre, ABSOLUT Fringe 2011

Sept 9-11

My thoughts on Autobiographer coming up just as soon as I sit next to you on the piano stool ...

Fringe Talk: Maeve Stone

Maeve Stone

It’s a shame that Maeve Stone didn’t name her theatre company “Spilt Vodka”. Fringe sponsors ABSOLUT could have had a field day with the advertising potential. I’m more of a gin man myself, and Stone and James Hickson’s Spilt Gin are canvassing the theatre scene in spectacular fashion with the assistance of their friends alone. I caught up with her to talk about their house party site-specific You Can’t Just Leave – There’s Always Something.

Fringe Talk: Grace Dyas and Doireann Coady

I recently spoke to THEATREclub’s Grace Dyas (and eventually Doireann Coady) about their epic-sounding Twenty Ten. Read on to see what they had to say about the company’s Twenty Ten, Twenty Eleven (as well as a bit of Twenty Twelve), and why this will be the last time we’ll see their hands.

Fringe Talk: Meadhbh Haicéid

Among the boldest site-specific ideas at this year’s ABSOLUT Fringe is Waterdonkey’sHappening – a 12 hour ‘bed-in’ in a suite in the Gresham Hotel on Sunday Sept 18. Meadhbh Haicéid, the show’s director, was kind enough to shed some light on the event, the company’s recent fascination with John Lennon, and the escalating lightsaber violence in rehearsal.

Also: you may spot a wannabe impartial journalist sporting Lennon shades below. I’ve worked with Waterdonkey before and have on occasion lent my mug to their press images.

Fringe Talk: Oonagh Murphy and Shaun Dunne

Shaun Dunne and Talking Shop Ensemble are teaming up once again, this time to consider the revelations and disillusionments of contemporary Ireland. Dunne himself has been going to psychic mediums for answers, which we will learn all about at their ABSOLUT Fringe show Do You Read Me?. I talked to Dunne and TSE’s Oonagh Murphy about their friendship, their work, and my obvious despondency from pop cultural references.

Fringe Talk: Richard Walsh, Zita Monahan and Martin Sharry

In the first of two ABSOLUT Fringe interviews published today, Richard Walsh, Zita Monahan and Martin Sharry of Side-Show Productions discuss their melodramatic soap opera Dreams of Love, their favourite love stories, and whether or not “true love” exists.

Fringe Talk: Sinéad O'Loughlin

Next in a series of interviews: Sinéad O’Loughlin talks about setting up Rampant with her best friend Katie Holmes (not Mrs. Cruise), the assault on feminism that led to their ABSOLUT Fringe debut Amy, I want to make you hard, and stealing Brokentalkers' production crew. 

Fringe Talk: Nyree Yergainharsian

The countdown to ABSOLUT Fringe 2011 is on, and in anticipation of its arrival you can find a new interview with a featured artist posted here each day.

Today it is Nyree Yergainharsian, member of 21^st century theatre pioneers The Company and one of the country’s most charming performers, now running solo in search of her place in the world in Where Do I Start? (I reviewed an earlier incarnation of it –beware of spoilers! – here). I caught Nyree on the lunch hour of her nine-to-nine day where she was eating the most impressive sandwich I had ever seen.