Fringe Talk: Maeve Stone

Maeve Stone

It’s a shame that Maeve Stone didn’t name her theatre company “Spilt Vodka”. Fringe sponsors ABSOLUT could have had a field day with the advertising potential. I’m more of a gin man myself, and Stone and James Hickson’s Spilt Gin are canvassing the theatre scene in spectacular fashion with the assistance of their friends alone. I caught up with her to talk about their house party site-specific You Can’t Just Leave – There’s Always Something.

Fringe Talk: Grace Dyas and Doireann Coady

I recently spoke to THEATREclub’s Grace Dyas (and eventually Doireann Coady) about their epic-sounding Twenty Ten. Read on to see what they had to say about the company’s Twenty Ten, Twenty Eleven (as well as a bit of Twenty Twelve), and why this will be the last time we’ll see their hands.

Fringe Talk: Meadhbh Haicéid

Among the boldest site-specific ideas at this year’s ABSOLUT Fringe is Waterdonkey’sHappening – a 12 hour ‘bed-in’ in a suite in the Gresham Hotel on Sunday Sept 18. Meadhbh Haicéid, the show’s director, was kind enough to shed some light on the event, the company’s recent fascination with John Lennon, and the escalating lightsaber violence in rehearsal.

Also: you may spot a wannabe impartial journalist sporting Lennon shades below. I’ve worked with Waterdonkey before and have on occasion lent my mug to their press images.

Fringe Talk: Oonagh Murphy and Shaun Dunne

Shaun Dunne and Talking Shop Ensemble are teaming up once again, this time to consider the revelations and disillusionments of contemporary Ireland. Dunne himself has been going to psychic mediums for answers, which we will learn all about at their ABSOLUT Fringe show Do You Read Me?. I talked to Dunne and TSE’s Oonagh Murphy about their friendship, their work, and my obvious despondency from pop cultural references.

Fringe Talk: Richard Walsh, Zita Monahan and Martin Sharry

In the first of two ABSOLUT Fringe interviews published today, Richard Walsh, Zita Monahan and Martin Sharry of Side-Show Productions discuss their melodramatic soap opera Dreams of Love, their favourite love stories, and whether or not “true love” exists.

Fringe Talk: Sinéad O'Loughlin

Next in a series of interviews: Sinéad O’Loughlin talks about setting up Rampant with her best friend Katie Holmes (not Mrs. Cruise), the assault on feminism that led to their ABSOLUT Fringe debut Amy, I want to make you hard, and stealing Brokentalkers' production crew. 

Fringe Talk: Nyree Yergainharsian

The countdown to ABSOLUT Fringe 2011 is on, and in anticipation of its arrival you can find a new interview with a featured artist posted here each day.

Today it is Nyree Yergainharsian, member of 21^st century theatre pioneers The Company and one of the country’s most charming performers, now running solo in search of her place in the world in Where Do I Start? (I reviewed an earlier incarnation of it –beware of spoilers! – here). I caught Nyree on the lunch hour of her nine-to-nine day where she was eating the most impressive sandwich I had ever seen.  

Yaysterday, Tomorrow, Today

In my write-up on Theatre Forum’s conference in June I mentioned briefly that I talked with social media guru Darragh Doyle, who being the hilarious gent that he is was kind enough to answer what blog-related queries I had. In the last few weeks I have been talking to Darragh again, and he has since asked me to write about theatre for his arts and culture site www.yay.ie.

Established by Doyle, Stephanie Francis and Niamh Smith six months ago, Yay.ie has become a comprehensive guide to contemporary Irish theatre, music, film, and visual arts events, as well as a variety of other things (if you haven’t already, check out Doyle’s interview with Neil Watkins here). Being part of that coverage is incredibly exciting for me.

This won’t change anything on Musings in Intermissions, which continues to grow and engage beyond what I expected. In fact, what I write for both sites will be practically identical, if not entirely in many cases (just in case you think a mimic is out there impersonating me). Though I will reserve most of my venting rights for Musings.

I set up this blog to stimulate discussion on Irish theatre, and now I have not one but two platforms for me to do so. Go check out www.yay.ie ! I’ll see you over there (once I figure out all their technical doohickies).

Musings Listings: September 2011

Strap in folks. We’re about to head into the busiest time of the Irish theatre calendar. And there is a LOT on offer.

September is Fringe month as ABSOLUT Fringe 2011 takes over Dublin city with 82 different shows. Won’t be going too much into that here (consult my guide), but suffice it to say that the three shows I’m most excited about are The Corn Exchange’s Man of Valour, THISISPOPBABY’s The Year of Magical Wanking (its beau poet pictured above), and José Miguel Jiménez’s Jumping Off The Earth (now confirmed with action man Brian Bennett attached). Shows I neglected in that post which deserve more mention than I gave them include Tim Watt’s The Adventures of Alvin Sputnik: Deep Sea Explorer, now regarded a gem at last month’s Edinburgh Fringe; Junk Ensemble’s Bird With Boy in Kilmanham Jail (you’ll understand why when I post my interview with them); and Maurice Joseph Kelliher’s dance/theatre culprit Criminal Queers and Veronica Dyas’ site-specific In My Bed for their suspected daring and noble use of subject matter. For all information on ABSOLUT Fringe 2011 go to: http://www.fringefest.com/ .

Pan Pan, ‘All That Fall’: Picture Yourself On A Train In A Station

Project Arts Centre, Dublin

Aug 23-Sept 2

My review of Pan Pan’s All That Fall by Samuel Beckett coming up just as soon as you shed light on my lifelong preoccupation with horses’ buttocks ...