Landmark Productions, ‘Misterman’: To The Dogs Or Whoever

Black Box Theatre, Galway Arts Festival

July 11-24

My review (with spoilers) of Enda Walsh and Cillian Murphy’s excellent Misterman coming up just as soon as I feel the door shut gently behind me as I step out into Innisfree ...

Paines Plough, ‘Love, Love, Love’: Happily Ever After?

Town Hall Theatre, Galway Arts Festival

Jul 12-16

My review of Love, Love, Love coming up just as soon as my generation learns how to improvise wildly ...

Musings Listings: July 2011

There is something of a retrospective vibe to July. Brian Friel is seemingly the writer-in-residence at both the Abbey and the Gate this month. Molly Sweeney – “a humorous, compelling and moving drama, which tells the story of a woman, blind since infancy, who has the chance to regain her sight” – will run at the Gate while post-colonial masterpiece Translations – featuring a cast including Janet Moran (Freefall, Pineapple), Aaron Monaghan (Christ Deliver Us!, The Silver Tassie) and Denis Conway (The Gigli Concert, Penelope) – runs in the Abbey until mid August.

Also revisiting from the past is Enda Walsh’s Misterman (pictured above) – a highlight of this year’s Galway Arts Festival and also my pick of the month. This dark tale of a man on a self-appointed mission to “do the Lord’s work” in the small community of Inishfree was originally staged by Corcadorcha in 1999 starring Walsh himself. Now reworked and expanded, with Walsh on directing duties and Disco Pig Cillian Murphy cast in the role, it’s hard not to get excited about Misterman (Town Hall Theatre, Jul 7-24). This year’s festival does present a Disco Pigs reunion of sorts, as Eileen Walsh can be seen as the lone star of Corcadorcha’s arcane site-specific Request Programme (the Western Hotel, Jul 11-23). Combined, these three individuals once arrested expectations with a surrealist theatre that had little history and little inhibition. It will be interesting to catch up with them since their days tearing up ‘Pork City’.

Barabbas, ‘City of Clowns’: Back to Basics

Dunamaise Arts Centre, Portlaoise

Jun 15

Raymond Keane’s City of Clowns has been in production for some time now, and marks Barabbas’ return to the theatre scene since their core funding was cut last year. A considerable project grant has put the clowns back on their feet, allowing them to bring City of Clowns to the Clomnel Junction and Earagail Arts Festivals this month. The show opens in Clomnel this Sunday but Keane, as artist-in-residence at Dunamaise, premiered the show there two weeks ago.

Personally, the show is a winner. Keane has a presence that can replace the audience’s laughter with sympathetic silence instantly, and the Barabbas portrayal of ‘clowns’ as individuals not invincible to human loss and longing continues to be a very interesting psychology. The triumph of City of Clowns lies in a left turn in the performance that I won’t even dare to mention here, though I will discuss it in the comments section with people if they desire. Barabbas have gone back to the raw element of ‘theatre’ as a social art with this one, and it’s a very appropriate move considering the company’s recent battles for security and resource.

Check it out and discuss below. 

Fregoli, 'The Secret Life Of Me': My Fair Ladies

Town Hall Theatre, Galway

Jun 28-Jul 2

My review of Fregoli’s The Secret Life of Me coming up just as soon as I remember every single thing Richard has ever said ...

NUIG Dramsoc, ‘The Hero Returns’: Miles To Go Before I Sleep

Bank of Ireland Theatre, Galway

Jun 27-Jul 1

My review of The Hero Returns coming up just as soon as I sell my shape ...

Fintan O’Toole, ‘Power Plays’: Sermons

I’ve been pacing back and forth the past week on to whether to publish my opinion on Power Plays or not. What I have to say seems more appropriate for a ‘letter to the editor’ as opposed to a post here. Then I read Luke Murphy’s sad but inspiring account on why he’s resigning from ‘theatre blogging’ in London. In his exiting remarks, he encourages writers to not focus solely on reviews but to also ignite conversation on the future of theatre, its innovation and problems, so that the industry can evolve.

So here we go ...

Theatre Forum, 'On With The Show': With Great Power Comes Great "Responsibility" (and No Funding)

“On With the Show” – a title aptly given by Theatre Forum Ireland to their conference this year. Over the course of two days, sessions took place in NUI Galway which discussed issues such as the development of ‘new media’ in theatre promotion and discourse, the current state of the theatre artist in his/her career sustainability and artistic responsibility, and the always pressing issue of funding.  

Loose Canon, ‘A Midsummer Night’s Dream?’: Making An Ass of You and Me

Project Arts Centre, Dublin

May 31-Jun 18

               

My review of Loose Canon’s A Midsummer Night’s Dream? coming up just as soon as I have had a most rare vision ...

Musings Listings: June 2011

June marks the anticipated return of critically acclaimed companies who have been absent, some for months, some for over a year.

Brokentalkers, The Corn Exchange and THISISPOPBABY all head south for the Cork Midsummer Festival. Brokentalkers’ The Blue Boy – a piece that uses music and movement to look at the experiences of children incarcerated at Catholic residential care institutions (trailer: http://vimeo.com/21657110) – will be presented as a free-ticketed ‘work-in-progress’ at the Granary Theatre (Jun 24). The full shilling is expected to be staged at the Dublin Theatre Festival in October. The world premiere of Man of Valour (pictured above) – the newest show from The Corn Exchange – stars Paul Reid as an office drone who imagines heroic adventures. Annie Ryan and Michael West also lend their expertise as the company returns to its Commedia dell’Arte foundation in this latest outing. Catch the show at the Everyman Palace (Jun 21-26). THISISPOPBABY bring Neil Watkins’ spirited dynamo The Year of Magical Wanking to the Half Moon Theatre (Jun 23-25). Watkins’ story living as a 33-year-old homosexual with a Jesus complex is a “brave and heartbreaking exploration of porn addiction, destructive sexual behaviour, Catholic guilt, and family heartbreak” (trailer: http://www.youtube.com/watch?v=uKUe2dJiSAM)