Promotional image for Citysong. A Thomas Kilroy adaptation, two Tennessee Williams dramas, and several new plays are on the way.
Tuesday, December 18, 2018
Saturday, December 8, 2018
Thursday, December 6, 2018
Thursday, November 29, 2018
The Best Theatre of 2018
My favourite theatre moments of 2018: The Lost O'Casey, Bluebeard's Castle, Orfeo ed Euridice, Asking for It, and Dolores
Monday, November 26, 2018
Before review: The familiar melody of Pat Kinevane's extravagantly intimate song
Pat Kinevane's new play follows a man reunited with his daughter after 17 years apart. Photo: Patrick Redmond
Monday, November 19, 2018
Woman Undone review: A reimagining of Mary Coughlan's life, ethereal and terrifying like a nightmare
The singer watches her younger self suffer predatory attacks and downspins through addiction, in this avant-garde play. Photo: Simone Rudolphi
Friday, November 16, 2018
We Can't Have Monkeys in the House review: A dark surreal comedy about traumatised sisters
A woman is reunited with her sisters to fulfil their mother's dying wish in Ciara Elizabeth Smyth's affecting new comedy.
Tuesday, November 13, 2018
Asking for It review: Home truths on rape culture in an outstanding production
Louise O'Neill's acclaimed novel moves to stage, and puts new shape on this essential era. Photo: Ros Kavanagh
Saturday, November 10, 2018
The Bystander review: A blurry dance about staying on the sidelines
Junk Ensemble's brooding production is driven by the shocking murder of Kitty Genovese, out in the open, in 1964 New York. Photo: Marco Novara
Thursday, November 8, 2018
Double Cross review: Thomas Kilroy's hi-tech play gets an analogue production
Kilroy frames Brendan Bracken and William Joyce as Cain and Abel-like brothers, forged together by one actor's performance. Photo: Melissa Gordon
Subscribe to:
Posts (Atom)