Shaun Dunne and Talking Shop Ensemble are teaming up once again, this time to consider the revelations and disillusionments of contemporary Ireland. Dunne himself has been going to psychic mediums for answers, which we will learn all about at their ABSOLUT Fringe show Do You Read Me?. I talked to Dunne and TSE’s Oonagh Murphy about their friendship, their work, and my obvious despondency from pop cultural references.
Friday, September 9, 2011
Fringe Talk: Richard Walsh, Zita Monahan and Martin Sharry
In the first of two ABSOLUT Fringe interviews published today, Richard Walsh, Zita Monahan and Martin Sharry of Side-Show Productions discuss their melodramatic soap opera Dreams of Love, their favourite love stories, and whether or not “true love” exists.
Sunday, September 4, 2011
Fringe Talk: Sinéad O'Loughlin
Next in a series
of interviews: Sinéad O’Loughlin talks about setting up Rampant with her best friend Katie Holmes (not Mrs. Cruise), the
assault on feminism that led to their ABSOLUT Fringe debut Amy, I want to make you hard,
and stealing Brokentalkers' production crew.
Saturday, September 3, 2011
Fringe Talk: Nyree Yergainharsian
The countdown to
ABSOLUT Fringe 2011 is on, and in
anticipation of its arrival you can find a new interview with a featured artist
posted here each day.
Today it is Nyree Yergainharsian, member of 21st
century theatre pioneers The Company and one of the country’s most charming
performers, now running solo in search of her place in the world in Where Do I Start? (I reviewed an earlier incarnation of it –beware of
spoilers! – here). I caught Nyree on the lunch hour of her nine-to-nine day where
she was eating the most impressive sandwich I had ever seen.
Friday, September 2, 2011
Yaysterday, Tomorrow, Today
In my write-up on Theatre Forum’s conference in June I mentioned briefly that I talked with social
media guru Darragh Doyle, who being the hilarious gent that he is was kind
enough to answer what blog-related queries I had. In the last few weeks I have
been talking to Darragh again, and he has since asked me to write about theatre
for his arts and culture site www.yay.ie.
Established by
Doyle, Stephanie Francis and Niamh Smith six months ago, Yay.ie has become a
comprehensive guide to contemporary Irish theatre, music, film, and visual arts
events, as well as a variety of other things (if you haven’t already, check out
Doyle’s interview with Neil Watkins here). Being part of that coverage is incredibly
exciting for me.
This won’t
change anything on Musings in Intermissions, which continues to grow and engage
beyond what I expected. In fact, what I write for both sites will be practically
identical, if not entirely in many cases (just in case you think a mimic is out
there impersonating me). Though I will reserve most of my venting rights for
Musings.
I set up this
blog to stimulate discussion on Irish theatre, and now I have not one but two
platforms for me to do so. Go check out www.yay.ie
! I’ll see you over there (once I figure out all their technical doohickies).
Musings Listings: September 2011
Strap
in folks. We’re about to head into the busiest time of the Irish theatre
calendar. And there is a LOT on offer.
September
is Fringe month as ABSOLUT Fringe 2011 takes over Dublin city with 82 different
shows. Won’t be going too much into that here (consult my guide), but suffice
it to say that the three shows I’m most excited about are The Corn Exchange’s Man
of Valour, THISISPOPBABY’s The Year of Magical Wanking (its
beau poet pictured above), and José Miguel Jiménez’s Jumping Off The Earth (now
confirmed with action man Brian Bennett attached). Shows I neglected in that
post which deserve more mention than I gave them include Tim Watt’s The
Adventures of Alvin Sputnik: Deep Sea Explorer, now regarded a gem at
last month’s Edinburgh Fringe; Junk Ensemble’s Bird With Boy in
Kilmanham Jail (you’ll understand why when I post my interview with them); and
Maurice Joseph Kelliher’s dance/theatre culprit Criminal Queers and
Veronica Dyas’ site-specific In My Bed for their suspected daring
and noble use of subject matter. For all information on ABSOLUT Fringe 2011 go
to: http://www.fringefest.com/
.
Monday, August 29, 2011
Pan Pan, ‘All That Fall’: Picture Yourself On A Train In A Station
Project Arts Centre, Dublin
Aug 23-Sept 2
My review of Pan Pan’s All That Fall by Samuel Beckett coming up just as soon as you shed light on my lifelong preoccupation with horses’ buttocks ...
Town Hall Theatre Galway, ‘Faith Healer’: Testimonies
Town Hall Theatre, Galway
Aug 25-Sept 3
My review of the Town Hall’s production of Faith Healer by Brian Friel coming up just as soon as I measure my progress by the number of hours I sleep and the amount I drink and the number of cigarettes I smoke ...
My review of the Town Hall’s production of Faith Healer by Brian Friel coming up just as soon as I measure my progress by the number of hours I sleep and the amount I drink and the number of cigarettes I smoke ...
Monday, August 22, 2011
A Guide to Ulster Bank Dublin Theatre Festival 2011
Finally diving into the programme for this year’s Dublin Theatre Festival. Last year, as evidenced by the reviews I wrote, I took a particular interest in the postdramatic segment of the schedule, seeing Ontroerend Goed, Tim Crouch, Pan Pan. It probably was a gamble on festival director Loughlin Deegan’s part to give weight to such unconventional theatre. Not only were many of these productions deemed popular and critical successes, but the gesture of programming them shows that Deegan would sooner overestimate the ‘performance’ of the Irish audience before underestimating, as members of the public were made sit and chat with neighbours and whisked away into booths with strangers.
What is of most interest to me in this year’s festival, and what you’ll see written about around here, is the strong Irish involvement. In his fifth and final instalment, Deegan is focusing on our home-grown artists. Many past participants of Theatre Forum’s ‘The Next Stage’ development programme, which runs in tangent to the festival, are now featured artists. If this year’s festival is to be remembered for anything it will probably be for opening the golden gates to the next wave of Irish theatre makers.
But for now let’s focus on the present and dive right in. Find below my thoughts on this year’s programme and observe as I – like in my guide to the Fringe – try to narrow these choices down to my six must-gos.
Saturday, August 13, 2011
Mephisto, ‘The Honey Spike’: Signs
Town Hall Theatre, Galway
Jul 9-13
I already wrote about Mephisto’s road to The Honey Spike. My review coming up just as soon as I show you the alphabet ...
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