Sink review: A play excavating two women's lives and discovering too little

An archaeologist digs up a bog body in John O'Donovan's new play, but ends up uncovering the trauma of another woman. Photo: Keith Dixon 

Bodies of Water review: An arty play-installation but a shallow exploration of grief

A curator holds a retrospective of her missing partner's artwork in this new play-installation.

A Very Old Man With Enormous Wings review: Sublime children’s theatre about an elderly prisoner

A couple stumble across an old man with wings in Gabriel García Márquez's story for children. Photo: Ste Murray 

This Beautiful Village review: A simplistic play dismantling the patriarchy over wine and crackers

Members of a residents association meet to discuss a piece of graffiti in Lisa Tierney-Keogh's new play. Pat Redmond 

The Hunger review: Donnacha Dennehy’s plotless opera set during the Famine

The Hunger is based on the writings of an American philanthropist who visited Ireland during the Famine. Photo: Pat Redmond

The Roaring Banshees review: This gangster play would be a scream if it spilled more blood

A rogue Cumann na mBan unit fight Chicago gangsters in Peter McGann and John Morton's new play. 

Where are You From? review: Slick but unfocused docudrama from Dublin to the New Territories

Choy-Ping Clarke-Ng pieces together her mixed race and queer identity in a new play with fresh perspectives. Photo: Isaac Harris

Least Like the Other review: This opera about JFK’s hidden sister is swamped by visual effects

Bill Irvine and Netia Jones's new opera treats its performers like ciphers instead of characters. 

Epiphany review: Druid’s new play has too many ghosts not enough plot

In Brian Watkins's new play, guests at a dinner party try to solve what the Epiphany is about. Photo: Robbie Jack

Tree authorship accusation: The job specifics of dramaturg have been hazy long enough

Playwrights Sarah Henley and Tori Allen-Martin said they were dismissed from writing Tree, as a script continued to be developed by dramaturg Kwame Kwei-Armah. Tree photo: Marc Brenner