Maïa Nunes, an artist of Irish-Trinidadian descent, connects to her forebears in this performance art. Photo: Alan Gilsenan
Saturday, September 21, 2019
Sorry Gold review: An intoxicating and profound aerial epic
Emily Aoibheann's extraordinary aerial dance brings us from the heights of civilisation to its wreckage. Photo: Eoin Kirwan
Thursday, September 19, 2019
Some Names Were Changed review: Fiction brings us closer to the truth in this cluttered documentary play
In Ross Dungan and Ronan Phelan's new interactive play, the audience help tell the story of a married couple. Photo: Patricio Cassinoni
Tuesday, September 17, 2019
Fetch review: Superb art-horror installation about impending disaster
Two strangers meet onboard a flight in this installation, presented inside a shipping container. Photo: Paula Trojner
Saturday, September 14, 2019
Thursday, September 12, 2019
Sink review: A play excavating two women's lives and discovering too little
An archaeologist digs up a bog body in John O'Donovan's new play, but ends up uncovering the trauma of another woman. Photo: Keith Dixon
Monday, September 9, 2019
Sunday, September 8, 2019
A Very Old Man With Enormous Wings review: Sublime children’s theatre about an elderly prisoner
A couple stumble across an old man with wings in Gabriel García Márquez's story for children. Photo: Ste Murray
Saturday, September 7, 2019
This Beautiful Village review: A simplistic play dismantling the patriarchy over wine and crackers
Members of a residents association meet to discuss a piece of graffiti in Lisa Tierney-Keogh's new play. Pat Redmond
Wednesday, August 21, 2019
The Hunger review: Donnacha Dennehy’s plotless opera set during the Famine
The Hunger is based on the writings of an American philanthropist who visited Ireland during the Famine. Photo: Pat Redmond
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