Thursday, December 27, 2012
Irish Theatre in 2012: Sacred Duties
In keeping with tradition I decided to do another write-up on the year that was, theatre-wise.
Last year I wrote about how I felt about lists and how un-useful they can be, so I'll be keeping with the approach of a discussion. Feel free to contribute in the comments section below.
On the subject of 2012, you'll probably have noticed that this blog has been inactive for most of it. This has been a result of time commitments to PhD research, work, a foray into making theatre (which is perhaps better left undiscussed), and to writing about theatre elsewhere and being paid to do so.
However, I've been thinking a lot recently about returning to the self-publishing ways. Aside from the insane amount of other things I have to do, I've found myself capable of writing faster, and so I think a weekly blog post is certainly achievable.
So please stick around (any press managers out there please retain my contact information!), and I'd like to wish Happy Holidays to all who have been around these parts, even if they have been quieter than usual.
My thoughts on Irish Theatre in 2012 after the jump ...
Labels:
ANU,
Bluepatch,
Brokentalkers,
CoisCĂ©im,
Druid,
Emma Martin,
James Joyce,
Landmark Productions,
Pan Pan,
Sugarglass Theatre,
The Company,
The Corn Exchange,
THEATREclub,
THISISPOPBABY,
Tom Murphy,
Willfredd
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