Sugarglass Theatre, 'Five Minutes Later': Disconnect Four

Temporal relationships are the focus of Ellen Flynn's debut play. Can four individuals connect in a hyper-connected world? 

The Lir
Aug 28-Sept 6 


My review of Five Minutes Later by Ellen Flynn coming up just as soon as I go around the corner for love ...

Sugarglass Theatre and Gillen & Belling Productions, 'LAPSE'

With almost sorcerous sensibility, Sugarglass realise magician Shane Gillen's performance about memory. 

Smock Alley Theatre

July 3-12

I've never reviewed a magic show before but I thought LAPSE was worth a few words. Plus, it's co-produced by Sugarglass Theatre, whose work I often admire. 

Through the lens of memories of his deceased grandfather Roddy, magician Shane Gillen's performance explores memory, its substance and transference. His tricks have audience members participate in mind-bending illusions - how he stays a step ahead of the crowd is a mystery. 

With production support by Sugarglass Theatre, Marc Atkinson and Colm McNally continue to provide effervescent design. Atkinson isolates the different acts with an almost sorcerous sensibility, instilling a space obscured by smoke and mystically transformed by incandescent lighting. 

If you are to consider it dramaturgically, you might think Gillen's references to memory theorists and scientists, while heavy handed and not easily absorbed, to be filler between tricks rather than making any considerable point. The finale is also one of the few predictable moments in the evening. 

I wouldn't let it restrain you. Gillen is magnetic, his tricks maddening and unquestionably convincing. Even if his explorations of memory mightn't materialise fully, LAPSE will certainly stay with you for a long time.

What did everybody else think?

Painted Filly and Sugarglass, 'The Brothers Karamazov': Of Vice And Men

An intimate adaptation by actor/director Nicholas Johnson locates the heartbeat of Dostoevsky's epic novel. 

Samuel Beckett Theatre

Jan 23-25, 27-Feb 1

My review of The Brothers Karamazov by Fyodor Dostoyevsky, adapted by Nicholas Johnson, coming up just as soon as I rescue a certain frozen peasant ...

Irish Theatre in 2012: Sacred Duties

In keeping with tradition I decided to do another write-up on the year that was, theatre-wise.

Last year I wrote about how I felt about lists and how un-useful they can be, so I'll be keeping with the approach of a discussion. Feel free to contribute in the comments section below.

On the subject of 2012, you'll probably have noticed that this blog has been inactive for most of it. This has been a result of time commitments to PhD research, work, a foray into making theatre (which is perhaps better left undiscussed), and to writing about theatre elsewhere and being paid to do so.

However, I've been thinking a lot recently about returning to the self-publishing ways. Aside from the insane amount of other things I have to do, I've found myself capable of writing faster, and so I think a weekly blog post is certainly achievable.

So please stick around (any press managers out there please retain my contact information!), and I'd like to wish Happy Holidays to all who have been around these parts, even if they have been quieter than usual.

My thoughts on Irish Theatre in 2012 after the jump ...

Sugarglass Theatre, 'Tender Napalm': Concerning the UFOs

Project Arts Centre, Dublin
Nov 27-Dec 8

My review of Sugarglass's production of Tender Napalm by Philip Ridley coming up just as soon as my marine D.N.A. kicks in ...