Showing posts with label Enda Walsh. Show all posts
Showing posts with label Enda Walsh. Show all posts

Thursday, January 15, 2015

Landmark Productions, 'The Walworth Farce': What Are We, If Not Our Stories?

A father and his sons perform a ramshackle play about their departure from Ireland in Enda Walsh's grotesque drama. Photo: Patrick Redmond

Olympia Theatre
Jan 14-Feb 8


My review of The Walworth Farce by Enda Walsh coming up just as soon as I bring you to the beach in Brighton ...


Monday, January 5, 2015

Monday, October 6, 2014

Abbey Theatre, 'Our Few and Evil Days': Boy Who Cried Wolf

The artful surface of Mark O'Rowe's play leaves us suspecting throughout. Things are not what they seem.

Abbey Theatre, Dublin Theatre Festival 
Oct 3-Oct 25


My review of Our Few and Evil Days by Mark O'Rowe coming up just as soon as I say hello in Brown Thomas ...

Tuesday, September 30, 2014

The Corn Exchange, 'A Girl is a Half-formed Thing': Pieces of a Whole

Eimear McBride's boldly original novel has become a literary phenomenon. How can The Corn Exchange adapt it for the stage?


Samuel Beckett Theatre, Dublin Theatre Festival
Sept 28-Oct 5


My review of A Girl is a Half-formed Thing, adapted from the novel by Eimear McBride, coming up just as soon as I fight for opera tickets and drink schnapps ...

Sunday, July 27, 2014

Landmark Productions, 'Ballyturk': Everything We Thought We Knew

The affect of watching Enda Walsh's play is to feel certainty of time and place constantly slip away. Will we ever find our way back from Ballyturk? Photo: Patrick Redmond

Black Box Theatre, Galway International Arts Festival
Jul 14-27


My review of Ballyturk coming up just as soon as I don't think bunnies should be given that complexity ...


Thursday, June 5, 2014

Make Theatre a Part of Your Holidays this Summer

Ballyturk is looking quite the vacation spot this Summer. 


Whether you're hiking the McGillycuddys, sailing off the Causeway or sinking golfballs in Pirate's Cove, a trip to the theatre this summer is only a short drive away ...


Monday, February 25, 2013

New York Theatre Workshop, 'Once': On Grafton Street in November


Gaiety Theatre, Dublin
Feb 22-Mar 9

I don't have time to do a full review of the stage adaptation of Glen Hansard's adored film, Once. Fans of the original will probably like it, and hearing the music live is special. But did anyone else find it, em, kinda weird at points?

The decision to bill the story as a "musical" is a challenging one considering the low-key acoustic balladry that comes with it, and director John Tiffany turns to some odd choreography during numbers to fulfill that promise. The appeal of Once in the first place was its love for music and the making of music, and I wish that he would have left us to the musicians and their playing rather than trying to include that interpret-yourself movement.

Enda Walsh's book finds moments of comedy but there are some shockingly corny lines. I think the movie was received so well internationally because of its candid portrayal of Irish culture but, my God, lines in the stage play such as "We can't have a city without music. Dublin needs you" lean dangerously close to a Bord Failte advertisement. Dire.

Still, the rapturous ovation at the end clearly signals that this story resonates strongly with people in Dublin. It's a story that they're proud to claim their own, and the musical hits those same notes as the original.


What did everybody else think?  



Friday, December 31, 2010

Best of Irish Theatre 2010 #2: Druid, ‘Penelope’

Druid Lane Theatre, Galway
Jul 8-24
 

“A group of men with a common ideology, a collective direction! That’s what you’re suggesting, Quinn! We’re building a company right here!” 
– Dunne

“There’s no point. We’re the talking dead. Now I want to talk about my friend Murray” 
– Burns


Choosing only five productions from this past year has not been an easy task. Even tougher was deciding which order they should be in.

I gave The Company #5 for their sharp ingenuity and effortless charm. I gave Druid’s The Silver Tassie #4 for the momentous production values and O’Casey’s enigmatic script. Christ Deliver Us!, then, felt like the perfect match of the greatest theatrical resources of the nation with one of the strongest literary voices of the nation. The Abbey-Thomas Kilroy combo was perfect in poetry and relevance. However, I don’t think it quite beats the latest jewel from Druid’s genius correspondence with Enda Walsh.