Musings In Intermissions

Liz Roche's Sailing to Byzantium -inspired Bastard Amber marks the first commission of an Irish choreographer for the Abbey stage. ...

School was out this summer and some of the first graduates of The Lir lent serious verve to Selina Cartmell's kinetic staging of Punk...

The Lyric Theatre's new Executive Producer Jimmy Fay to direct Judith Roddy and Carol Moore in a production of Pentecost . The ...

WillFredd's mindful production is a sincere portrayal of palliative care and its mixing of medicine and mirth. Project Arts Centr...

Castletown House, Kildare Aug 3-5 Yesterday I teamed up with my mother for the Big House Festival - the cultural carnival of music, th...

Emma O'Kane and Ralph the Pony return in FARM "I still live a little bit by Brian Friel's introduction to Dancing at Lug...

Promotional art for HotForTheatre's upcoming new show Break The highlights of the 2013 Dublin Fringe Festival (Sept 7-22) have ...

In keeping with tradition I decided to do another write-up on the year that was, theatre-wise. Last year I wrote about how I felt about...

The Lir, ABSOLUT Fringe 2011 Sept 13-17 My review of Follow coming up just as soon as I see another seahorse ...