Musings In Intermissions

School was out this summer and some of the first graduates of The Lir lent serious verve to Selina Cartmell's kinetic staging of Punk...

Eimear McBride's boldly original novel has become a literary phenomenon. How can The Corn Exchange adapt it for the stage? Sa...

Wayne Jordan's kinetic production of The Threepenny Opera brought movement that is rarely seen on the Gate stage. I already made...

Smock Alley Theatre, Dublin Theatre Festival Oct 4-13 My review of Desire Under the Elms by Eugene O'Neill after the jump ...

Estragon, Vladimir, Pozzo, Lucky and the Boy are back. The Dublin Theatre Festival (Sept 26-Oct 13) line-up was revealed yesterday. ...

Project Arts Centre, Dublin May 28-Jun 8 I think everyone has that story - where they arrive early at a sold-out performance to put th...

In keeping with tradition I decided to do another write-up on the year that was, theatre-wise. Last year I wrote about how I felt about...

Gaiety Theatre, Dublin Sep 27-30 My review of The Corn Exchange's production of   Dubliners   by James Joyce coming up just ...

THEATREclub’s sonorous and rompous The Family finished its run this weekend at Project Arts Centre, thus leaving a void in our li...

Last week the line-up for this year’s ABSOLUT Fringe was revealed, which will take place in Dublin September 10-25. Sailing under th...

I have been away from the blogosphere for a while now, mostly because I’ve been busy working on shows. My Oedipus Loves You review will ...