Musings In Intermissions

ANU Productions present PALS , an installation based on events surrounding the Irish who fought at Gallipoli in WWI.  Some plays for y...

School was out this summer and some of the first graduates of The Lir lent serious verve to Selina Cartmell's kinetic staging of Punk...

Can Hugo Hamilton's play plunge the depths of the great silence that Irish men brought home from WWI?  Gate Theatre, Dublin T...

The Lyric Theatre's new Executive Producer Jimmy Fay to direct Judith Roddy and Carol Moore in a production of Pentecost . The ...

Noël Coward said that his plays should foremost entertain the audience. Can Annabelle Comyn get  The Vortex to sing a more provoking not...

Wayne Jordan's kinetic production of The Threepenny Opera brought movement that is rarely seen on the Gate stage. I already made...

Lloyd Cooney tearing it up in No. 14 Henrietta Street during ANU Productions' marking of the 1913 Lockout centenary. As per the y...

Photo: Matthew Thompson Gate Theatre, Dublin Theatre Festival Oct 1-Nov 2 My review of The Threepenny Opera by Bertolt Brecht and ...

Photo: Peter Rowen Gate Theatre Jul 18-Sept 21 My review of A Streetcar Named Desire by Tennesse Williams coming up just as soo...

Estragon, Vladimir, Pozzo, Lucky and the Boy are back. The Dublin Theatre Festival (Sept 26-Oct 13) line-up was revealed yesterday. ...

Cillian Murphy in Misterman  fighting against the trend of 'fundraiser plays' One of the oldest rules in the book to guarantee...

Seeing that I’m currently working on a production of David Mamet’s Oleanna for Galway Theatre Festival (PLUG), I went to see Boston Marr...