Saturday, October 19, 2019

Faultline review: A heartfelt depiction of a movement gaining ground

ANU and the Gate Theatre's new immersive play is set in 1982, when hundreds of LGBTQ+ people were under investigation. Photo: Pat Redmond 

Wednesday, October 16, 2019

The Beacon review: An absorbing thriller about blood thirst

A famous artist relocates to an island cottage - the spot where she's suspected of having murdered her husband - in Nancy Harris's new play. Photo: Robbie Jack 

Wednesday, October 2, 2019

Hecuba review: A touching war story encouraging us to look closer

Queen Hecuba is exiled in this ancient tragedy, but Marina Carr's intimate reimagining gives all its characters multiple perspectives. Photo: Ste Murray  

Sunday, September 29, 2019

Pasolini’s Salò Redubbed review: A notorious film becomes an overwhelming mirror up to Ireland’s past

Dylan Tighe's bold adaptation transposes Salò from Italy to the early decades of the Irish state, an era when alliances were hatched between church and state. Photo: Luca Truffarelli 

Saturday, September 28, 2019

Mám review: A dance through Ireland’s subconscious without any coherent point

Michael Keegan-Dolan's new dance resembles scenes from a dramatic community gathering, but its nostalgia doesn't make it complete. Photo: Ros Kavanagh 

Tuesday, September 24, 2019

Beckett’s Room review: Samuel Beckett and Suzanne Dechevaux-Dumesnil’s touching story of survival

This miraculous play without performers takes us to Nazi-occupied Paris, and the source of Samuel Beckett's storytelling. Photo: Kyle Tunney

Saturday, September 21, 2019

Incantation review: Misty performance art about intergenerational trauma

Maïa Nunes, an artist of Irish-Trinidadian descent, connects to her forebears in this performance art. Photo: Alan Gilsenan

Sorry Gold review: An intoxicating and profound aerial epic

 
Emily Aoibheann's extraordinary aerial dance brings us from the heights of civilisation to its wreckage.  Photo: Eoin Kirwan