Musings In Intermissions

An intimate adaptation by actor/director Nicholas Johnson locates the heartbeat of Dostoevsky's epic novel.  Samuel Beckett The...

Druid's revival of the Boucicault classic reminds us what is needed to pull out all the stops for the pronounced theatrical form: the...

Irish writer Mary Lavin (1912-1996), compared to Virginia Woolf and Anton Chekov over her literary life, is adapted for the stage by Deir...

Smock Alley Theatre Jan 6-9 I've written a lot here in the last week so it's left me with a lot of things to catch up on....

Some plays for your diary ...

Wayne Jordan's kinetic production of The Threepenny Opera brought movement that is rarely seen on the Gate stage. I already made...

Lloyd Cooney tearing it up in No. 14 Henrietta Street during ANU Productions' marking of the 1913 Lockout centenary. As per the y...

As the finale of THEATREclub's trilogy of history plays, will this look backwards move us forward?  Below is my review of THEA...

As a year of marking the centenary of the 1913 Lockout comes to a close, what can The Risen People tell us about this distressing chapter...

How does Stephen Sondheim's musical make sense of the US Presidential assassination attempts, successful or otherwise, throughout the...